‘Grimm’: Q & A with Silas Weir Mitchell
“Grimm” has been the surprise hit of the new season for the network, and despite a somewhat challenging Friday night timeslot, the show has been steadily gaining a loyal following, with signs of achieving cult favorite status. With a lead like David Giuntoli, it’s easy to understand a certain aspect to the fan base — the ladies — but if you ask fans of the show why they love it, you get some variation of the same answer again and again:
“I love Monroe!”
Fans are singing the praises of Giuntoli’s sidekick on the series, played by actor Silas Weir Mitchell. If, for some foolish reason, you haven’t tuned into the show yet, the premise is Giuntoli plays a detective who has just discovered he’s a descendant of the Grimms — the legendary folks who penned all those tales as warnings about the beasts they hunted down and killed. Monroe belongs to one species of those monsters and is a “Blutbad” (German for “blood bath”) — a modern day version of the big bad wolf, or a werewolf, if you will.
Matthew Lillard Dishes on Lightening Up ‘The Bridge’
Matthew Lillard made a name for himself being the jokester in many of his previous roles, including “Scream,” “The Descendents,” and the cult classic, “SLC Punk.” And while he maintains that he’s not the “comic relief” in FX’s bleak drama, “The Bridge,” he does bring some much-needed levity to the melancholy mood of the show, albeit a very subtle and dark humor. Lillard sat down Tuesday in a conference call to discuss his role on the show as Daniel Frye, a reporter — or former reporter, at this point — for the El Paso Times. His character has a knack for getting himself into dangerous waters, and in fact, Daniel was set to die in Season 1, dodging a car bomb and being thrown off the bridge from whence the show gets its name. But the show’s producers, headed by Elwood Reid, apparently decided to keep him around for a while.
We can only hope he’s here to stay, because not only does his character add some great depth and variety to “The Bridge,” but Lillard proved during the media call that he still has his trademark sense of humor, inviting one reporter to go to the prom with him after a particularly complementary question, and telling another his voice sounded like he had been on a 48-hour binge in Las Vegas. And when the reporter told him that was his normal voice, Lillard replied, “Then you’re a lucky, gravelly son-of-a-bitch.”
The actor also discussed whether his character might make it through this season and that he’s not above doing whatever it takes to get fans on board to keep him on the show, even if it means taking up some unconventional weaponry.
Trust me, if you read on it will make sense.
Colin Hanks Talks Having the Best Scene of the “Fargo” Premiere
Colin Hanks has carved out his own distinguished acting career in the shadow of his father, Tom, and his latest role is in the critically-acclaimed FX series “Fargo.” As Gus Grimly, Hanks plays a meek police officer who, in a pivotal scene of the premier, lets bad guy Lorne Malvo (Billy Bob Thornton) get away after he pulls him over for routine traffic stop. And we aren’t talking a mere oversight here; Malvo tells him point blank he’s a bad guy and it’s in his best interest to just let him go for his and his daughter’s sake, and Gus does.
We joined Hanks on a media call to discuss the complexities of his flawed but well-meaning character, and in particular, getting that scene right.
Q: Do you think that in that first scene with your character and Billy Bob Thornton, that it speaks to the question of what is a hero because Gus has different things to worry about in his life, like the safety of his daughter? And also, we have to believe that your guy is nice enough and cares about his daughter enough that he has that stuff going on in his mind, plus Billy Bob has to be threatening enough that we have to buy it that just looking at you would intimidate you enough to let him go.
Colin Hanks: Well, I think it’s an interesting point. Obviously, with Gus, you definitely don’t think “Oh, well, here’s a hero.” He doesn’t necessarily hold himself in a heroic stance. He doesn’t necessarily speak in heroic tones or anything like that, but again, in approaching this in as realistic a manner as we can — and that was a goal for all of us with the show — oftentimes, your real heroes are not necessarily six-pack abs and huge biceps that come and save the day.